Stickers now available!

I’ve uploaded some sticker designs to my shop on Redbubble, which you can check out here. Check out some of the mock-ups below!

Beauty and Christ: A Reflection on What it Means to Be Human

We inhabit a culture of terrible ugliness. Not only metaphorically—though there is plenty of ugly behavior, ugly politics, ugly thoughts and words—but also literal, physical ugliness, ugliness to which we have become desensitized and comfortably numb. I won’t dishearten you by parading out examples or generalizations; if you’re still reading this, you likely already know what I’m talking about. Many of us know, at some level, even if not in a conscious or articulate way, that there is something degrading, dehumanizing, wrong in so much of what surrounds us on a daily basis.

Beauty, in contrast to ugliness, tells us that it is good to be physical creatures.

Throughout my adolescence and early adulthood, I had an unsystematic checkerboard of things that just bugged me. I felt like a lot of things were ugly, even though I couldn’t always articulate why. I was teased (mostly good-naturedly) for being contrarian, and I gained a reputation for being picky about books, music, and art (including visibly rolling my eyes and complaining at most of the stuff in the contemporary wing of art museums). I didn’t have much in the way of an explanation for these opinions, which, really, were more feelings of discomfort, feelings that something was off, than coherent stances at that point.

These feelings of discomfort crescendoed during my first year of graduate school. I disliked almost everything I was reading, especially the stuff that was supposed to be foundational to understanding history or human nature or power. It all just felt ugly, if that were possible. But again, I had no way of articulating my distaste for these things, and no way to explain what I wanted instead. I got frustrated. Finally, I took the advice of a friend (I am forever indebted to you, Moacyr!) and started reading some work by the English philosopher and writer Roger Scruton. Slowly, I felt like I was gaining the words I needed to explain not only my distaste for Foucault and other postmodern theorists, but also all those other, seemingly unrelated things that had been bugging me.

Roger Scruton has written and spoken about beauty and its importance in our lives in a number of places, but if you’ve never read anything by him, this three-minute video, which is a series of quotes from lectures and things strung together against an atmospheric lofi music piece, is probably as good a place to start as any.

Beauty, in contrast to ugliness, tells us that it is good to be physical creatures—persons who exist as mind, soul, and body. The cult of ugliness tries to repudiate our physicality, to belittle it and make it horrible, evil even, in order to isolate ourselves from our own bodies and from one another, an isolation and hatred that will inexorably pull us away from the God who lovingly created our bodies. But there is a reason that most Christian philosophers throughout the centuries have stressed the importance of the Three Transcendentals: truth, goodness, and beauty. God did not create us as formless spirits—no, He created us each as human beings, a human being whose individual soul is miraculously bound together with an individual body, and, although separated at death, to which body the soul will be reunited at the return of Christ at the end of time. A thought or statement is good when it is true; a physical being or object is good when it is beautiful.

“Ah,” you may object, “but standards of beauty are always changing, and they can be so limiting!” Is that actually the case, though? If we step away from our dehumanizing and ugly world of pop culture, if we shut the TV off, put our phone down, and just walk around our block, is that really true? Can you honestly tell me that you don’t agree that the mourning dove tending her nest, the elderly woman waving from her doorstep, the Madonna with Child aren’t beautiful? That all of these beauties of nature, humanity, and redemption aren’t echoing, in some small and imperfect way, the “very good” spoken by the eternal Godhead at the creation of this physical, beautiful world?

The Resurrection of Christ (right wing of the Isenheim Altarpiece)
Matthias GrĂĽnewald
c.1512 – c.1516

Of course, we only see this beauty through a mirror clouded by sin and death, but we nevertheless ought to give thanks to God that we are allowed the peace and transcendence felt when we see newborn animals in the springtime, a mother playing with her baby, or a painting of the Resurrection of Christ. In fact, I would go so far as to say that, in some small way, these experiences of beauty can point us to Christ. Christ is the ultimate affirmation of our identity as embodied creatures, as Jesus, true God, absolutely divine, became man—took on our flesh and blood, walked and breathed like any other human being, stepped out from the unfathomable chambers of absolute transcendent divinity in order to bind Himself in time and space to be our Brother, Friend, and Redeemer. What greater blessing could be given, what sweeter word could be said about our bodies than that God Himself would deign to dwell among us, incarnated, embodied, fully human, fully man?

Beauty is good, even when the world ignores it or tries to stamp it out. God has created our physical world, a world of sights and sounds, a world where we can watch, listen, even create, whether that is through art, practical crafts, homemaking, work, or childbearing, and He has called it very good. And though that reality has been damaged, all is not lost. Out of His bountiful mercy, God has given us a world where we can cherish and give thanks for the beauty he pours into our lives—and even better, He has given us His Son, whom we can truly confess as “Christ with me, Christ before me, Christ beside me” as a fellow man, not an abstract or anthropomorphic spirit, but the fullness of divinity indwelling in the flesh—our flesh—in order to redeem us forever.

Pop Music, Taylor Swift, and Storytelling

If you are a woman or know any women between the ages of about 18 and 35, odds are you’ve heard about Taylor Swift re-recording and re-releasing her old albums. (I don’t fully understand the legal reasons, but the short version is she didn’t have ownership of the original master tracks of her songs.) Last week, she re-released her 2012 album Red, along with some previously-unreleased songs and a 10-minute (!!!) expansion of the track “All Too Well”.

Like most women my age, I have paid attention to Taylor Swift for about the last ten years (I was late to the “Swiftie” party). Now, don’t get me wrong, I have very strong feelings about the Reputation and Lover eras (in short: they were awful), but I’ve been happily surprised at both her return to her older music and her more recent work in folklore and evermore. But, when a recent business project gave me a couple of hours in the car to spend scanning the pop stations, I realized something else: Taylor Swift seems to be the only well-known female pop artist who still writes songs that are actually stories.

I could spend a lot of time talking about how Taylor Swift still actually writes songs with physical instruments and seems to avoid the excesses of autotune that overload most of the Top 40 songs right now. And this is true. But I was more shocked at how different she is lyrically from the stuff I was hearing on pop radio. I don’t listen much to the radio—I’m not in the car by myself for long stretches of time, and I usually just camp out on the classical station for jaunts about town—and I listen mostly to playlists, audiobooks, or the occasional podcast if I’m listening to anything at home. But with about seven-ish hours total in the car, I decided to just see what they were playing on the radio. Not only is a lot of female pop music shockingly vulgar—if you need an example, you can find them on your own—but it’s also just…dull. It’s not a story, it’s not about characters, there’s no plot or problem or anything.

Here’s an example off the album evermore:

Taylor Swift has a good voice—she’s not doing anything vocally insane, she just performs car-singable songs. And no, the instrumentals aren’t baroque, but it’s so much more interesting that the dull guitar lick or synthesized hook played over claps/snaps equation that dominates everything else on the radio right now. But she paints a really evocative mental image. Her writing has always been really good; she’s got a knack for picking the right word or crafting a great line to capture an emotion, and the “plot” of songs like this one is compelling.

She also captures something uniquely feminine in her music that I think a lot of other female pop singers fail to. Taylor Swift is (in)famous for break-up songs—but they are almost all about fragility, regret, and loss from a distinctly female perspective. She taps into a lot of the same topics that we see treated in literature: the intensity of female emotions, especially in love, and how these can be redemptive or ruinous, productive or destructive, beautiful or tragic. Maybe she doesn’t have the same ability and literary complexity as Austen or Shakespeare when it comes to depicting this, but the themes are still there.

I think this is why Taylor Swift has managed to have more staying power than some of her contemporaries from the late-2000s/early-2010s. I’m no expert on this, but it seems like her more recent endeavours (even the ones I disliked) have been more popular than those of Katy Perry or Lady Gaga, who were equally popular a decade ago. The cloying, forced-peppy banality of “Firework” (with my least favorite lyric in all of music: “Do you ever feel like a plastic bag?”) has more or less disappeared from the popular mind, but you see teenage girls singing “You Belong with Me,” and “Fifteen” still resonates with the excitement, hopes, and tragedies of adolescence today and always.

If you haven’t yet, you should check out Taylor Swift’s more recent work and re-releases, especially if, like me, you’ve felt burned out on pop music for the last several years. There are some really cool tracks, really creative lyrics, and really compelling storytelling on the albums she’s put out in the last year or two.

Coming Soon: A Biblical Response to Witchcraft

A Biblical Response to Witchcraft by [Concordia Publishing House]

Concordia Publishing House was gracious enough to invite me to work on another tract, which will be coming out mid-October. Fittingly enough, this one is A Biblical Response to Witchcraft. From CPH:

No fairy tale fantasy, witchcraft is a real, contemporary practice that has been growing in popularity over the past decades.

Whether driven to witchcraft through desire for control, spiritual harmony, health, or even violence, the fact remains that the practice is sinful. Humans are not God.

Called by Him, we should turn to Him, not the supernatural or the occult, especially when faced with a life that feels out of control.

You can preorder the tract is packs of twenty here: It’s also available on Amazon as a Kindle ebook for $0.99.

Tuesday’s Tidings: October 5, 2021

Watching: Amadeus (1984)

Jonathan and I watched the classic film Amadeus recently. It definitely took some liberties with the historical reality of Wolfgang Amadeus Mozart’s relationship with fellow-composer, Antonio Salieri. But it was a really good movie. I loved the costumes and the just overall “look” of the movie. And at a stout three hours, it still stays absolutely riveting. The acting is so good! I’d definitely recommend it. And we’ve been listening to a bit of Mozart around the house afterward, as a result (see below).

Listening: Eine Kleine Nachtmusik and Requiem

Like I said, we watched Amadeus and then went on a Mozart kick. I really like Eine Kleine Nachtmusik—it’s just so cheery! But the Requiem is incredible. I saw it live in college and—just wow. My husband likes to come up with new words to pieces from it, too, which is always entertaining.

Reading: Digital Minimalism by Cal Newport

Perhaps you noticed the global Facebook/Instagram/et al. outage (what a funny way to phrase that!) yesterday (Monday, October 4, 2021). Oddly enough, I just finished reading Cal Newport’s Digital Minimalism and have been trying as best I can to do the 30-day no social media thing. (Which is, granted, a little difficult when you are a social media manager!) But I highly recommend the book. I like his realistic and actionable steps for being a “social media minimalist,” especially in his idea that minimizing social media use does not mean being a hermit, but rather making it clear that you value regular, meaningful interaction, like talking on the phone or making coffee dates, etc.

Enjoying: Homemade Marshmallows

A couple of weeks ago I tried my hand at homemade marshmallows. I didn’t even know you could make marshmallows at home! Anyway, they’re great. You can find lots of recipes online, but I think I used this one because it didn’t have corn syrup. Don’t forget the powdered sugar (like I did), otherwise you’ll end up more with marshmallow “fluff”, though. They are great with hot cocoa, whatever way you may them. This is part of a recent campaign to make more things at home versus buying them at the store.

Have you tried any good recipes lately?

Matt Richard’s Minute Messages: A Great Devotional Resource

Minute Messages: Gospel-Filled Devotions for Every Occasion: Richard,  Matthew: 9780758666970: Books

I wanted to write a quick note about Rev. Dr. Matthew Richard’s newest book, Minute Messages: Gospel-Filled Devotions for Every Occasion. I had the joy of reading an advance copy in order to write an endorsement for the book’s inside cover.

I’m a big fan of Pastor Richard’s (you can check out his blog, PM Notes, here), so I was really excited to hear that he was coming out with a devotional book. I think sometimes people can get overwhelmed by trying to set up a regular devotional practice—for a lot of us, we either lack the time or concentration to jump right into something seemingly long and complex. The whole point of Rev. Richard’s devotional is to provide something succinct—but not sappy or legalist!—to start off your morning, work day, church meeting, after school club session, whatever. Using the one-year lectionary as well as Luther’s Small Catechism as a basis, the reader can also choose from many devotions specific to certain times of life. There are a number of devotionals for times of distress, too, which would make it nice for a sick loved one, and the content is short and clear enough to be edifying to children, adults, and the elderly alike. Also included is a short form prayer office to use with the individual devotions. I use mine with the short individual form of Morning Prayer, which can be found in a number of devotional resources, as the “reflection.” There’s a physical and ebook edition, though I must say I really like the print version. CPH did a great job designing a highly usable, eye-catching devotional.

You can check out the purchasing options (and read my formal endorsement!) over at CPH’s website here. This isn’t an affiliate link, and I don’t make any money if you buy stuff.

A Simple Explanation of Angels

A Simple Explanation of Angels - Kindle edition by Lackey, Molly. Religion  & Spirituality Kindle eBooks @

I’m a bit late in posting about this on here (whoops!) but I recently authored a tract with Concordia Publishing House entitled “A Simple Explanation of Angels.” It’s available in print in 20-packs and as an ebook download through Amazon.

As always, it was such an honor to write for CPH and I had a great time putting the tract together. I hope you find it helpful and edifying!

Salvator Mundi

A short post today! I wanted to share a piece of digital art I made recently with you all.

Salvator Mundi by Molly Lackey

The title is Salvator Mundi, which is Latin for “savior of the world.” I’ve wanted to try doing an icon of some kind, and I decided to do a riff off El Greco and Da Vinci’s icons of the same title. I did this on my iPad with Procreate, which I’m still a super newbie with. Anyway, it was a lot of fun to make!

Tuesday Tidings: September 14, 2021

Tuesday Tidings: September 14, 2021

Sorry for the lack of posts lately! A combination of a migraine attack and a glut of work knocked me out of my rhythm, but I’m more or less back to normal now.

Check it out on Goodreads

What I’m Reading: A Shepherd Looks at Psalm 23 by W. Phillip Keller. I’ve been working through this little book on everyone’s favorite psalm from the perspective of a real-life shepherd. It’s a pretty light read, but it’s interesting. I appreciate his insight into how David might have been alluding to specific elements of sheep keeping in the psalm, and what that means about our relationship with God.

What I’m Watching: “Education in the Age of Science: A Critique” by Lawrence F. Kohl, PhD. I went back and rewatched a lecture given by one of my favorite undergraduate professors, Dr. Larry Kohl. The lecture is all about ways that education has been affected by our infatuation with technology and mathematical efficiency. His main argument is that we have been applying methods and metrics from STEM fields that are unsuitable to liberal arts education. It’s a favorite of mine, and there’s a lot of good books he alludes to that are worth checking out, too.

What I’m Listening To: Max Richter’s The Blue Notebooks. I don’t listen to a whole lot of “contemporary classical” (that’s such a silly name for a genre…), but I do like Max Richter. My favorite track off this album is probably “Vladimir’s Blues,” which is a piece inspired by butterflies. I find his work really calming and contemplative; it’s good “thinking music.”

What I’m Thinking About: Deep Work. I’m listening to the audiobook of Cal Newport’s Deep Work, which is all about people who do “information work” (like me, as a writer, editor, and social media assistant) and not multitasking and instead taking time to focus on cognitively engaging work for sustained periods of time (“monotask”?). I really struggle with over-checking email and not “clocking out” of work (made even more difficult when you work from home!), which makes for a lot of anxiety. I’m trying to approach things from a “deep work” perspective in order to approach work more calmly. Right now, that looks like spending my morning with an extended devotion, then a couple hours of concentrated writing and research for larger projects, then switching gears to editing and stuff in the early afternoon, “signing off” for the day, and then doing fun stuff (like this!) in the evening. So far, it’s been a really good change!

What I’m Working On: Starting a “Big Project.” I can’t really get into it, but I’ve started on a big project that I’m really excited about. I hope to be able to share some more information with you soon, though! I am also trying to get back into doing more art, though, which I can (and will!) share with you in the future.

That’s all for now, but I’ll be back later in the week.

Have you started any cool new projects lately?

Tuesday’s Tidings: August 10 2021

Tuesday Tidings: August 10, 2021

This week, I’ll be starting a new weekly post on Tuesdays. It’ll be brief, just an overview of what I’m up to, enjoying, and thinking about.

This week’s focus is settling in. We moved for Jonathan’s vicarage (like an internship) a couple of weeks ago. The boxes and whatnot are all unpacked (and have been for a while), but it’s still been a bit of an uphill battle trying to get to feeling settled in, normal, at home. I’m not surprised; stacking the end of grad school on top of a big move is a lot, especially when the end of my time as a graduate student was pretty hectic! So, this week is all about setting up old (or new) routines and getting more comfortable in this most recent stage of life. So far, so good; turns out Jonathan is right, and I do feel better if I get dressed first thing rather than sit around in my pajamas for most of the day!

Watching: we’re on our second watch-through of Inspector Lewis, a British detective show. I introduced Jonathan to the British mid-to-high-brow detective genre, and we’ve both really enjoyed it. It’s actually the spin-off of the classic Inspector Morse, which I highly recommend. Murders abound in the historic university town of Oxford, often in twined in a deep tapestry of art, culture, intrigue, secrets, and sin. Kevin Whately and Laurence Fox have fantastic on-screen chemistry, and the writing is fantastic. We just finished the first episode, which concerns a mysterious bacchanalian student group and a series of unusual killings.

Listening: I’ve been bouncing between a couple of things so far this week: Johnny Flynn and Handel’s Messiah, which I’ve never actually listened to before!! I enjoy Johnny Flynn’s combination of folksy rock and thoughtful, literary lyrics, and I discovered that a singer I really like, Benedikt Kristjánsson, was involved in a performance of Messiah. Both have been on rotation.

Here’s a Johnny Flynn song I like a lot.
Wendell Berry

Reading: I’m working my way through Wendell Berry’s classic work, The Unsettling of America: Culture and Agriculture. I read Berry’s Life is a Miracle in college and loved it, so I decided to read the book that put him on the map. So far, it’s really good. He is thoughtful and eloquent but down-to-earth and deeply realistic. The book is a critique of modern culture as much as of industrial agriculture, and it’s sometimes disorienting to consider that the book was written in the 1970s.

Looking Forward: This week, I’m looking forward to getting back to some neglected skills and hobbies. I’m hoping to start back up again doing some German and Latin, which I haven’t really had a chance to exercise since finishing up my MA thesis. I’m also trying to get back into doing more art, since I’ve got a good bit more time at my hands now. Hopefully that’ll translate to finally getting some permanent site art up, too, so stay tuned for that!

Closing Question: What’s something you’d like to do if you just had more time, even if it’s something small? Is there a way to make time to do it? I’ve been wanting to start painting again, so I’m trying to schedule some time throughout the week to do that.